Summary From page xiii: “‘Nation, Woman, Representation: the Sutured History of the devadasi and her Dance’ examines the complex interplay of national and international events, the impact of Western modernization on the life and artistic practices of a class of South Indian women known as devadasis or temple-dancers…the traditional practice was radically transformed in the … Continue reading Meduri, Avanthi. Nation, Woman, Representation: The Sutured History of the Devadasi and Her Dance. Dissertation, New York University, 1996.
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